Bach Bibliography
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1. Eighteenth-Century Science and the 'Corps Sonore:' The Scientific Background to Rameau's 'Principle of Harmony'. JMTheory 31 1 Spring 1987 23-50
2. Nichelmann Contra C. P. E. Bach: Issues of Harmonic Theory in the Empfindsamer Stil. A paper read at the American Musicological Society, Center for Black Music Research, and The College Music Society Annual Meetings 15-18 October 1978, New Orleans, Louisiana. [p]AMS_NewOrleans Oct 1987
3. Nichelmann contra C. Ph. E. Bach: Harmonic Theory and Musical Politics at the Court of Frederick the Great. also repr. in The work of music theory. - Farnham: Ashgate, 2014. ISBN: 1-4724-3055-7; 978-1-4724-3055-7. (= Ashgate contemporary thinkers on critical musicology series). pp. 311-342. VeröffJoachimJungiusGWiss 62 1990 189-220 [cr]Hamburg1988
4. Sensus, ratio and phthongos: Mattheson's theory of tone perception. [fs]Lewin 1994 1-22
5. Johann Nikolaus Bach als Musiktheoretiker. BachJb 82 1996 93-100
6. Bach among the Theorists. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996. [p]ABS_California Apr 1996
7. Bach among the Theorists. BachPerspectives 3 1998 23-46
8. C.P.E. Bach's Versuch and its Context in Eighteenth-Century Thorough-Bass Pedagogy. CPEBachKonzepteSR 2 1998 352-377
9. Die Kunst des Möglichen. Bach, Musiktheorie und musikalische Mannigfaltigkeit. LeipzigerBeitrBachF 7 2005 99-126
10. Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. HarvardPubM 22 2008 17-40 [fs]CWolff
11. Fundamenta partiturae: Thorough bass and foundations of eighteenth-century composition pedagogy. [ce]Christensen 2014 77-100
12. Johann Nicolaus Bach as music theorist. [ce]Christensen 2014 257-264
13. Bach among the theorists. [ce]Christensen 2014 265-288
14. Nichelmann contra C.Ph.E. Bach: Harmonic theory and musical politics at the court of Frederick the Great. [ce]Christensen 2014 311-342
15. The work of music theory. Farnham: Ashgate, 2014. 404p. ISBN: 978-1-4724-3055-7. (= Ashgate contemporary thinkers on critical musicology series) [ce]Christensen 2014 404p
16. C.P.E. Bach's Versuch and its context in 18th-century thorough-bass pedagogy / Repr. from in Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle 'Carl Philipp Emanuel Bach' in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderbaud 2. Frankfurt (Oder): Kouzerthalle 'Carl Philipp E1nanuel Bach' (1998), pp. 352-377. [ce]Late18cComposers_CPEB 2015 311-336
17. Nichelmann contra C.Ph.E. Bach: harmonic theory and musical politics at the court of Frederick the Great. Repr. from in Hans Joachim Marx (ed.), Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren 18. Jahrhunderts: Bericht über das Internationale Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29. September-2. Oktober 1988, Göttingen: Vandenhoeck & Ruprecht (1990), pp. 189-220. [ce]Late18cComposers_CPEB 2015 413-446

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